1 00:00:02,170 --> 00:00:03,137 PREVIOUSLY ON THE UNIT... 2 00:00:03,171 --> 00:00:04,505 WHAT DO YOU WANT FROM ME?! 3 00:00:04,538 --> 00:00:06,074 YOU WANT ME TO OPEN UP?! 4 00:00:06,107 --> 00:00:08,008 YES. 5 00:00:08,242 --> 00:00:09,710 NO, YOU DON'T. 6 00:00:09,743 --> 00:00:10,544 WHERE'S JEREMY ERHART? 7 00:00:10,578 --> 00:00:11,912 EXECUTIVE JEREMY WAS DRIVING, 8 00:00:11,945 --> 00:00:13,314 THERE WAS AN ATTEMPT ON THE CAR. 9 00:00:13,347 --> 00:00:14,215 HE'S BEEN BURNT. 10 00:00:14,248 --> 00:00:16,717 PAIN MEDICATION HAS HIM GOING IN AND OUT, 11 00:00:16,750 --> 00:00:18,419 BUT HE KEEPS ASKING FOR CRYSTAL. 12 00:00:18,452 --> 00:00:19,320 SHE SHOULD BE HERE SOON. 13 00:00:19,353 --> 00:00:20,921 THERE'S A LOT OF PEOPLE LOOKING FOR YOU. 14 00:00:20,954 --> 00:00:22,990 WE'VE BEEN RIGHT HERE THE WHOLE TIME. 15 00:00:23,023 --> 00:00:24,592 Molly: CRYSTAL NEVER SHOWED. 16 00:00:24,625 --> 00:00:25,559 YOU WERE AT THE HOSPITAL. 17 00:00:25,593 --> 00:00:28,028 POOR KID. THE FIRST DAY HE CAN HAVE VISITORS, 18 00:00:28,062 --> 00:00:28,762 AND SHE NEVER SHOWED. 19 00:00:28,796 --> 00:00:32,400 I TRIED TO LOSE MYSELF ALL DAY. 20 00:00:37,471 --> 00:00:39,507 THE IMMORALITY OF THE UNITED STATES 21 00:00:39,540 --> 00:00:41,041 SENT US TO MURDER THE INNOCENT. 22 00:00:41,075 --> 00:00:45,113 REGARDING THE ATROCITIES AMERICA HAS PERPETRATED HERE, 23 00:00:45,146 --> 00:00:47,215 I HAVE ASKED FOR SANCTUARY. 24 00:00:47,248 --> 00:00:50,050 HOW CAN YOU BE SURE THIS IS YOUR SON? 25 00:00:50,084 --> 00:00:51,919 IT'S THE SAME VOICE, SAME HANDS, 26 00:00:51,952 --> 00:00:54,388 AND THE SCARS ARE-- ARE FROM WHEN HE PULLED 27 00:00:54,422 --> 00:00:58,426 A POT OF HOT WATER OFF THE STOVE WHEN HE WAS 3. 28 00:00:58,459 --> 00:01:01,129 THE UNITED STATES MUST CEASE ITS PARTICIPATION-- 29 00:01:01,162 --> 00:01:03,731 HOW CAN YOU THINK HE'S STILL ALIVE? 30 00:01:03,764 --> 00:01:07,135 NO CONTACT, 37 YEARS. HE'S DEAD. 31 00:01:07,168 --> 00:01:09,270 THEY NEVER FOUND HIS BODY. 32 00:01:13,006 --> 00:01:14,208 Molly: DATED A MONTH AGO. 33 00:01:14,242 --> 00:01:17,077 KEVIN HUONG, MAN IN VIETNAM, 34 00:01:17,111 --> 00:01:19,147 SAYS HE KNOWS WHERE PATRICK IS, 35 00:01:19,180 --> 00:01:20,814 SAW HIM IN MARKETPLACE, 36 00:01:20,848 --> 00:01:23,083 TRADED WITH HIM, TALKED WITH HIM, 37 00:01:23,117 --> 00:01:25,419 BUT HE SAYS HE GOES BY DOUG McBRIDE. 38 00:01:25,453 --> 00:01:28,756 WELL, PATRICK'S AFRAID TO COME HOME, HE SAYS. 39 00:01:28,789 --> 00:01:31,625 SO MUCH TIME AND-- AND DISTANCE. 40 00:01:31,659 --> 00:01:35,896 BUT PATRICK DID CONFIDE IN THIS MAN, 41 00:01:35,929 --> 00:01:38,999 AND HE SAYS THAT FOR $5,000, THAT-- 42 00:01:39,032 --> 00:01:39,933 HE'LL BREAK YOUR HEART. 43 00:01:39,967 --> 00:01:43,571 MRS. GAFFNEY, IT'S A SCAM. 44 00:01:43,604 --> 00:01:45,273 NO. 45 00:01:45,306 --> 00:01:48,142 HE SENT ME THIS DOG TAG. 46 00:01:48,176 --> 00:01:49,443 IT'S PROOF. 47 00:01:49,477 --> 00:01:51,879 IT'S NOT PROOF. 48 00:01:52,213 --> 00:01:53,981 HE COULD HAVE FOUND THIS, 49 00:01:54,014 --> 00:01:56,284 COULD HAVE MADE IT. 50 00:01:56,884 --> 00:02:00,020 WELL, COULD YOU AT LEAST MAKE INQUIRIES 51 00:02:00,053 --> 00:02:02,256 AT THE EMBASSY WHILE YOU'RE THERE? 52 00:02:02,290 --> 00:02:04,158 YOU'RE GOING ANYWAY. 53 00:02:04,192 --> 00:02:06,460 YOU'LL BE THERE. 54 00:02:06,994 --> 00:02:08,362 I DON'T KNOW. 55 00:02:08,396 --> 00:02:11,098 THERE'S TIME BEFORE THE CEREMONY. 56 00:02:11,131 --> 00:02:13,100 YOU HAVE TIME. 57 00:02:13,133 --> 00:02:14,302 I DON'T. 58 00:02:14,335 --> 00:02:17,805 I NEED TO SEE HIM BEF-- 59 00:02:17,838 --> 00:02:20,174 WHILE I STILL CAN. 60 00:02:24,212 --> 00:02:27,615 WOULD YOU PLEASE FIND MY SON? 61 00:02:27,648 --> 00:02:32,220 JEN'S BOOK FAIR, UH, I LEFT $15 ON, UH-- 62 00:02:32,253 --> 00:02:33,987 SAME LIST YOU GAVE ME YESTERDAY? 63 00:02:34,021 --> 00:02:37,157 AND LISSY'S GOT SOCCER PRACTICE AT 3:00. 64 00:02:37,191 --> 00:02:38,158 YOU SEE ME? 65 00:02:38,192 --> 00:02:38,992 I SURELY DO. 66 00:02:39,026 --> 00:02:39,860 THEN I MUST BE HERE. 67 00:02:39,893 --> 00:02:40,994 ...BEANIE-WEENIE IN THE FRIDGE. 68 00:02:41,028 --> 00:02:42,196 TIFFY, I GOT IT COVERED. 69 00:02:42,230 --> 00:02:42,963 ARE YOU SURE? 70 00:02:42,996 --> 00:02:44,164 THE GIRLS'LL KEEP SERENA BUSY. 71 00:02:44,198 --> 00:02:46,534 YOU TWO JUST HAVE A GOOD TIME. 72 00:02:50,070 --> 00:02:51,839 IT'S TIME. 73 00:02:52,673 --> 00:02:53,541 WHEN I GO OUT, 74 00:02:53,574 --> 00:02:55,576 I KNOW WHAT I'M GETTING INTO. 75 00:02:55,609 --> 00:02:57,345 I'M THERE FOR THE CEREMONY, 76 00:02:57,378 --> 00:03:00,781 AND THAT'S ALL I PLAN TO DO. 77 00:03:01,249 --> 00:03:03,016 YOU BE CAREFUL, GIRL. 78 00:03:22,202 --> 00:03:24,805 OFF YOU GO. 79 00:03:35,749 --> 00:03:39,119 SECRETARY GENERAL ANDERS GAM. IT'S OK. 80 00:03:39,152 --> 00:03:41,121 MR. SALAH, WE'RE SO PLEASED TO HAVE YOU 81 00:03:41,154 --> 00:03:42,390 SPEAK HERE AT THE UNITED NATIONS. 82 00:03:42,423 --> 00:03:44,392 I MIGHT SAY IT IS MY PLEASURE, 83 00:03:44,425 --> 00:03:45,493 BUT THERE IS NOTHING PLEASURABLE 84 00:03:45,526 --> 00:03:49,196 IN THE ATROCITIES STILL HAPPENING IN DARFUR, MR. GAM. 85 00:03:49,229 --> 00:03:51,732 I SEE YOU'RE WELL PROTECTED. 86 00:04:04,812 --> 00:04:06,980 AFTER YOUR SPEECH, WE'RE GONNA DRIVE YOU TO LaGUARDIA, 87 00:04:07,014 --> 00:04:08,215 PUT YOU ON A PRIVATE JET TO CHICAGO. 88 00:04:08,248 --> 00:04:10,584 NO ONE KNOWS THE HOTEL WE'RE PUTTIN' YOU UP IN. 89 00:04:10,618 --> 00:04:12,286 YOU'LL BE COMING TO CHICAGO WITH ME? 90 00:04:12,320 --> 00:04:13,521 WE'LL BE MAKIN' THE INTRODUCTIONS. 91 00:04:13,554 --> 00:04:17,391 IF YOU'RE ASKING ME IF I PUT THE CHERRY ON TOP, YES, I DID. 92 00:04:17,425 --> 00:04:19,092 YOU'RE GONNA COME OUT OF HIDING, 93 00:04:19,126 --> 00:04:20,227 PUT YOUR SHOULDER TO THE WHEEL, 94 00:04:20,260 --> 00:04:22,963 I'M GONNA MAKE SURE YOU HAVE THE BEST MEN. 95 00:04:30,003 --> 00:04:32,172 LOOKING FORWARD TO YOUR SPEECH. 96 00:04:32,205 --> 00:04:34,775 AS AM I, TO ITS COMPLETION. 97 00:04:45,719 --> 00:04:47,020 PROSKY'S PHONING EVERY AMBASSADOR, 98 00:04:47,054 --> 00:04:50,924 TRYING TO CONVINCE THEM NOT TO ATTEND SALAH'S SPEECH. 99 00:04:50,958 --> 00:04:51,592 YOU KNOW, 100 00:04:51,625 --> 00:04:52,960 "WHAT IF TERRORISTS ATTACK?" 101 00:04:52,993 --> 00:04:55,396 HE WANTS A CALL. 102 00:04:56,029 --> 00:04:58,231 I'M CERTAIN HE DOES. 103 00:05:00,233 --> 00:05:02,135 WHAT'S THE OCCASION? 104 00:05:02,169 --> 00:05:05,105 FIRST TIME I'VE BEEN IN HERE TODAY. 105 00:05:07,775 --> 00:05:09,677 DON'T ANSWER THE PHONE. 106 00:05:10,511 --> 00:05:12,346 GET OUT OF THIS OFFICE. 107 00:05:23,023 --> 00:05:24,892 WE GOT A PROBLEM UPSTAIRS. 108 00:05:24,925 --> 00:05:28,862 CHECK IT OUT. MAKE SURE IT DOESN'T AFFECT MY GUY. 109 00:05:33,066 --> 00:05:36,504 IT'S JUST ROUTINE, MOMED. 110 00:05:40,173 --> 00:05:43,243 YOU FEEL A BULGE UNDER YOUR FOOT? 111 00:05:43,276 --> 00:05:45,078 YES. 112 00:05:45,112 --> 00:05:46,880 NO OBVIOUS BUGS. NO DEVICES. 113 00:05:46,914 --> 00:05:48,849 Blane: RAZOR CUT IN THE CARPET. 114 00:05:48,882 --> 00:05:50,317 RIGHT UNDER THE BALL OF HIS FOOT. 115 00:05:50,350 --> 00:05:54,354 YOUR FOOT IS ON THE DEVICE'S PRESSURE POINT, 116 00:05:54,388 --> 00:05:57,024 THE PAD UNDER THE CARPET. 117 00:05:57,057 --> 00:05:58,025 IT'S LIKE A MINE FUSE. 118 00:05:58,058 --> 00:06:00,093 IT ARMS WHEN YOU STEP ON IT. 119 00:06:00,127 --> 00:06:02,095 MEANS YOUR WEIGHT'S WHAT'S ACTIVATED THE THING. 120 00:06:02,129 --> 00:06:03,997 YOU DON'T WANT TO SET IT OFF, 121 00:06:04,031 --> 00:06:07,100 DON'T MOVE. EVEN A HAIR. 122 00:06:07,801 --> 00:06:09,537 I... 123 00:06:09,570 --> 00:06:11,505 I HAVE TO URINATE. 124 00:06:11,539 --> 00:06:13,574 YOU GO RIGHT AHEAD. 125 00:06:15,142 --> 00:06:16,677 REAL OR FAKE? 126 00:06:16,710 --> 00:06:17,711 ALWAYS ASSUME REAL. 127 00:06:17,745 --> 00:06:20,848 MA'AM, I DON'T KNOW WHAT'S GOING TO HAPPEN HERE, 128 00:06:20,881 --> 00:06:22,082 BUT YOU NEED TO LEAVE. 129 00:06:22,115 --> 00:06:24,084 WE'VE WORKED TOGETHER 22 YEARS. 130 00:06:24,117 --> 00:06:26,754 I KNOW HOW TO KEEP HIM CALM. 131 00:06:26,787 --> 00:06:28,288 WELL, THAT'S YOUR CHOICE. 132 00:06:28,321 --> 00:06:30,924 YOU HAVE SECOND THOUGHTS, 133 00:06:30,958 --> 00:06:33,627 GET OUT OF HERE. 134 00:06:34,462 --> 00:06:35,529 THIS IS SNAKE DOCTOR. 135 00:06:35,563 --> 00:06:37,465 SCRAMBLE 4. I REPEAT--SCRAMBLE 4. 136 00:06:37,498 --> 00:06:38,331 THIS IS ILA NEIHAUS. 137 00:06:38,365 --> 00:06:39,633 THE SECRETARY GENERAL WISHES YOU TO KNOW 138 00:06:39,667 --> 00:06:41,802 THAT MR. MOMED SALAH IS ILL... 139 00:06:41,835 --> 00:06:42,536 MR. GAM... 140 00:06:42,570 --> 00:06:43,871 AND WILL NOT BE SPEAKING TODAY. 141 00:06:43,904 --> 00:06:47,107 I'M GONNA ASK YOU TO STAY CALM AND VERY STILL. 142 00:06:47,140 --> 00:06:48,976 WE'RE GONNA GET SOME EQUIPMENT UP HERE, 143 00:06:49,009 --> 00:06:50,110 SEE WHAT'S UNDER YOUR FOOT, 144 00:06:50,143 --> 00:06:52,480 SEE WHAT'S IN THAT NICE CAKE. 145 00:06:52,513 --> 00:06:55,115 CAN YOU DO THAT FOR ME? 146 00:06:55,148 --> 00:06:56,984 GOOD MAN. 147 00:06:59,086 --> 00:07:01,421 JONAS NEEDS YOU MOST RICKY TICK. 148 00:07:01,455 --> 00:07:02,255 TALK'S CANCELED. 149 00:07:02,289 --> 00:07:03,657 YOU'RE GONNA LEAVE NOW. 150 00:07:03,691 --> 00:07:04,925 SOMEONE'S COMING AFTER ME? 151 00:07:04,958 --> 00:07:05,893 SECRETARY GENERAL'S IN DANGER. 152 00:07:05,926 --> 00:07:09,597 THAT'S ALL WE KNOW FOR THE MOMENT. LET'S GO. 153 00:07:09,997 --> 00:07:11,665 THEY'RE HERE TO KILL ME. 154 00:07:11,699 --> 00:07:13,567 10 YEARS AGO, DID YOU TRUST ME? 155 00:07:13,601 --> 00:07:14,468 NO. 156 00:07:14,502 --> 00:07:16,069 DID I SAVE YOUR LIFE ANYWAY? 157 00:07:16,103 --> 00:07:19,473 SO TRUST ME NOW. 158 00:07:22,375 --> 00:07:24,111 EXIT ROUTE IS CLEAR. 159 00:07:32,019 --> 00:07:34,254 GET BACK. 160 00:07:34,287 --> 00:07:36,023 DOWN! 161 00:07:52,573 --> 00:07:54,007 * FIRED UP * FIRED UP 162 00:07:54,041 --> 00:07:55,008 * FIRED UP * FIRED UP 163 00:07:55,042 --> 00:07:56,176 * PLENTY SUN * PLENTY SUN 164 00:07:56,209 --> 00:07:57,210 * FIRED UP * FIRED UP 165 00:07:57,244 --> 00:07:58,378 * HERE WE GO * HERE WE GO 166 00:07:58,411 --> 00:07:59,713 * ON THE ROAD * ON THE ROAD 167 00:07:59,747 --> 00:08:01,014 * PLENTY SUN * PLENTY SUN 168 00:08:01,048 --> 00:08:01,982 * FIRED UP * FIRED UP 169 00:08:02,015 --> 00:08:03,183 * FIRED UP * FIRED UP 170 00:08:03,216 --> 00:08:05,118 * FIRED UP * FIRED UP 171 00:08:05,152 --> 00:08:05,786 * PLENTY SUN 172 00:08:05,819 --> 00:08:07,755 * FIRED UP * FIRED UP 173 00:08:23,070 --> 00:08:25,238 I WANT YOU TO LOCK THIS DOOR BEHIND YOU, 174 00:08:25,272 --> 00:08:27,407 AND DON'T OPEN IT UNLESS YOU HEAR MY VOICE. 175 00:08:27,440 --> 00:08:28,308 DON'T LEAVE ME HERE ALONE. 176 00:08:28,341 --> 00:08:30,410 MOMED, I DON'T KNOW IF THIS IS ABOUT YOU, 177 00:08:30,443 --> 00:08:31,244 BUT IT'S ABOUT SOMETHING, 178 00:08:31,278 --> 00:08:32,880 AND I'VE ONLY GOT SO MANY MEN ON DECK. 179 00:08:32,913 --> 00:08:36,483 YOU MADE ME A PROMISE TO STAY BY MY SIDE THIS ENTIRE DAY. 180 00:08:36,516 --> 00:08:38,819 THE SITUATION'S CHANGED. 181 00:08:38,852 --> 00:08:41,689 MY VOICE ONLY. 182 00:08:45,025 --> 00:08:45,893 ROGER THAT. 183 00:08:45,926 --> 00:08:49,429 AND ROPE, C-4, DENTAL MIRRORS, MEDIC KIT-- 184 00:08:49,462 --> 00:08:50,097 X-RAY BOX. 185 00:08:50,130 --> 00:08:51,198 GREY WANTS HIS FAVORITE TOY. 186 00:08:51,231 --> 00:08:52,499 NO-VIBRATION CIRCULAR SAW. 187 00:08:52,532 --> 00:08:54,201 BINOS, LOW-VIBE CIRCULAR SAW. 188 00:08:54,234 --> 00:08:57,671 DOG PATCH ZERO-6. SHUT THIS PLACE DOWN. 189 00:08:57,705 --> 00:08:59,372 WHEREVER PEOPLE ARE, THEY STAY. 190 00:08:59,406 --> 00:09:01,274 COOL BREEZE, BUTTONHOLE U.N. SECURITY. 191 00:09:01,308 --> 00:09:05,012 DISABLE ALL ELEVATORS. MEN ON ALL ENTRANCES AND EXITS. 192 00:09:05,045 --> 00:09:05,946 HOLD OFF FIRST-RESPONDERS. 193 00:09:05,979 --> 00:09:08,181 LET'S SEE IF WE CAN'T HANDLE THIS OURSELVES. 194 00:09:08,215 --> 00:09:10,250 ELEVATOR CRASHED. 2 FATALITIES. 195 00:09:10,283 --> 00:09:12,085 SALAH? SAFE AND TUCKED AWAY. 196 00:09:12,119 --> 00:09:13,186 2 DEAD IN THE ELEVATOR? 197 00:09:13,220 --> 00:09:14,087 ONE IS NIKA PETROS, 198 00:09:14,121 --> 00:09:16,523 SECOND-IN-COMMAND TO THE GREEK AMBASSADOR. 199 00:09:16,556 --> 00:09:18,225 SEE IF PETROS WAS A MAN OF HABIT, 200 00:09:18,258 --> 00:09:20,293 USED THE SAME ELEVATORS EVERY DAY. THE OTHERS? 201 00:09:20,327 --> 00:09:21,895 GUY WHOSE NUMBER'S UP, GITO KIM, 202 00:09:21,929 --> 00:09:23,897 HERE TO HAVE BREAKFAST WITH HIS WIFE. 203 00:09:23,931 --> 00:09:24,965 WHICH ARE CONNECTED 204 00:09:24,998 --> 00:09:26,033 TO SALAH OR GAM? 205 00:09:26,066 --> 00:09:27,034 WELL, AIN'T THAT THE QUESTION OF THE DAY? 206 00:09:27,067 --> 00:09:29,637 Neihaus:...GAVE THE KEYS TO THE EMBASSY. 207 00:09:29,670 --> 00:09:30,938 HE'S LOOKIN' SHAKY. 208 00:09:30,971 --> 00:09:32,039 Williams: EVERY DAY? 209 00:09:32,072 --> 00:09:33,073 THANK YOU. 210 00:09:33,106 --> 00:09:35,542 PETROS' ASSISTANT SAYS HE CAME IN EARLY, 211 00:09:35,575 --> 00:09:37,077 WENT FOR COFFEE SAME TIME EACH DAY, 212 00:09:37,110 --> 00:09:39,279 ALWAYS THE SAME BANK OF ELEVATORS. 213 00:09:39,312 --> 00:09:40,447 THEN IF HE WAS THE TARGET, 214 00:09:40,480 --> 00:09:42,282 MEANS ALL THE OTHER ELEVATORS WERE RIGGED, 215 00:09:42,315 --> 00:09:43,483 MAKE SURE THE JOB GOT DONE. 216 00:09:43,516 --> 00:09:45,152 WE CAN'T BE SURE ABOUT THE STAIRWELLS. 217 00:09:45,185 --> 00:09:46,987 LOOK, I'M NOT THE OPERATOR, YOU ARE, 218 00:09:47,020 --> 00:09:50,223 BUT DON'T YOU BE TIMID ABOUT PUTTIN' ME TO WORK. 219 00:09:50,257 --> 00:09:51,124 ROLL UP YOUR SLEEVES. 220 00:09:51,158 --> 00:09:53,093 TAKE THE COLONEL. CHECK OUT THE ELEVATORS. 221 00:09:53,126 --> 00:09:54,427 THIS A COINCIDENCE? 222 00:09:54,461 --> 00:09:56,263 THIS PETROS FELLA MEAN SOMETHING? 223 00:09:56,296 --> 00:09:59,800 WHO ELSE IS BEING TARGETED? 224 00:10:03,136 --> 00:10:04,404 WHAT SHOULD I KNOW? 225 00:10:04,437 --> 00:10:05,739 ANDERS HAD HIP SURGERY LAST YEAR. 226 00:10:05,773 --> 00:10:08,141 HE'S HAVING TROUBLE STANDING STILL. 227 00:10:09,810 --> 00:10:11,111 WHAT SIDE, GAM? 228 00:10:12,345 --> 00:10:14,081 THE RIGHT SIDE. 229 00:10:14,114 --> 00:10:15,916 MUSCLE SPASMS? 230 00:10:15,949 --> 00:10:18,118 PAIN? SHOOTING PAIN? 231 00:10:18,151 --> 00:10:20,654 CAN YOU HOLD ON FOR ANOTHER HOUR, SIR? 232 00:10:20,688 --> 00:10:25,025 I'M NOT SURE I HAVE ANOTHER 5 MINUTES. 233 00:10:49,082 --> 00:10:52,152 MAHOGANY'S A DENSE WOOD, MIGHT MATCH HIS WEIGHT. 234 00:10:52,185 --> 00:10:54,621 PRESSURE'S ON THE BALL OF HIS FOOT. 235 00:10:54,654 --> 00:10:55,655 WE CAN'T REPRODUCE THAT. 236 00:10:55,689 --> 00:10:57,825 HE'S ABOUT MY HEIGHT AND WEIGHT. 237 00:10:59,927 --> 00:11:00,994 NOT EXACTLY. 238 00:11:01,028 --> 00:11:02,963 CLOSER THAN YOU. 239 00:11:08,201 --> 00:11:11,138 IT'S TIME FOR YOU TO STEP AWAY NOW. 240 00:11:11,171 --> 00:11:11,972 GO DOWN THE HALL 241 00:11:12,005 --> 00:11:14,041 AS FAR AS YOU CAN AS FAST AS YOU CAN. 242 00:11:14,074 --> 00:11:18,912 Williams: SIR, I'M GOING TO TELL YOU WHAT'S ABOUT TO HAPPEN, 243 00:11:18,946 --> 00:11:23,683 AND YOU'RE GONNA STOP PRAYING AND LISTEN. 244 00:11:23,717 --> 00:11:27,187 I'M GONNA COME UP BEHIND YOU. 245 00:11:27,220 --> 00:11:28,188 WHEN I DO... 246 00:11:28,221 --> 00:11:31,725 I'M GONNA PUT MY ENTIRE BODY AGAINST YOURS. 247 00:11:31,759 --> 00:11:35,028 DO NOT FLINCH WHEN I DO IT. 248 00:11:35,062 --> 00:11:37,865 DO YOU UNDERSTAND? 249 00:11:37,898 --> 00:11:38,899 YES. 250 00:11:38,932 --> 00:11:44,204 GOOD. I'M GOING TO DO IT NOW. 251 00:11:44,637 --> 00:11:46,606 I'M GOING TO TELL YOU SOMETHING, 252 00:11:46,639 --> 00:11:49,542 AND IT WILL BE A REVELATION TO YOU, 253 00:11:49,576 --> 00:11:51,378 BUT IT'S TRUE. 254 00:11:51,411 --> 00:11:52,712 YOU CAN LIVE WITHOUT A LEG, 255 00:11:52,746 --> 00:11:54,047 YOU CAN LIVE WITHOUT 2, 256 00:11:54,081 --> 00:11:56,183 YOU CAN LIVE WITHOUT AN ARM, 257 00:11:56,216 --> 00:11:59,719 BUT IF THIS DEVICE IS A BOMB, 258 00:11:59,753 --> 00:12:00,954 IF WE DO THIS WRONG 259 00:12:00,988 --> 00:12:04,024 OR WAIT UNTIL YOU'RE SHAKING SO BAD YOU CAN'T HOLD PRESSURE, 260 00:12:04,057 --> 00:12:08,028 WE WILL DIE, SO YOU'RE NOT GONNA MOVE ANYWHERE 261 00:12:08,061 --> 00:12:10,097 I DON'T MOVE YOU. 262 00:12:10,130 --> 00:12:12,032 THE TABLE YOUR HANDS ARE ON 263 00:12:12,065 --> 00:12:13,967 WILL MITIGATE THE BLAST. 264 00:12:14,001 --> 00:12:17,805 DO NOT CHANGE THE PRESSURE YOU HAVE ON YOUR HANDS. 265 00:12:17,838 --> 00:12:19,940 Blane: ALL HANDS, HOLD WHERE YOU ARE. 266 00:12:19,973 --> 00:12:22,910 I REPEAT--HOLD POSITION. 267 00:12:22,943 --> 00:12:27,948 YOU FEEL MY RIGHT LEG CROOKED RIGHT AGAINST YOUR RIGHT LEG? 268 00:12:27,981 --> 00:12:31,118 STAY WITH MY LEG. 269 00:12:31,985 --> 00:12:33,987 I'M GONNA SLIDE YOUR FOOT OFF 270 00:12:34,021 --> 00:12:35,355 AND MY FOOT ON, BUT... 271 00:12:35,388 --> 00:12:40,093 YOU HAVE TO KEEP THE SAME AMOUNT OF WEIGHT ON THE BALL OF YOUR FOOT, 272 00:12:40,127 --> 00:12:40,994 AND NOTHING HAPPENS. 273 00:12:41,028 --> 00:12:43,396 WHEN YOU FEEL YOUR FOOT IS FREE, 274 00:12:43,430 --> 00:12:45,265 DO NOT RUN. 275 00:12:45,298 --> 00:12:46,967 STAY WHERE YOU ARE. 276 00:12:47,000 --> 00:12:48,969 WAIT FOR MY GO. 277 00:12:49,002 --> 00:12:52,005 THEN WALK AWAY SLOWLY. 278 00:12:52,039 --> 00:12:55,308 I'LL SQUAWK THE ALL-CLEAR, WE'RE DONE. 279 00:12:55,342 --> 00:12:58,678 WHEN YOU MOVE AWAY, YOUR LEGS WILL BE WEAK. 280 00:12:58,711 --> 00:13:00,347 THAT'S GOING TO HAPPEN. 281 00:13:00,380 --> 00:13:03,316 DO NOT STEADY YOURSELF ON THE DESK. 282 00:13:03,350 --> 00:13:05,152 DO NOT LEAN AGAINST ME. 283 00:13:05,185 --> 00:13:07,087 YOU STOOD HERE WITH COURAGE THIS LONG, 284 00:13:07,120 --> 00:13:10,190 YOU CAN CALL UP A FEW SECONDS MORE. 285 00:13:10,223 --> 00:13:13,760 * I GO OUT WALKING 286 00:13:13,793 --> 00:13:16,997 * AFTER MIDNIGHT 287 00:13:17,030 --> 00:13:19,799 * OUT IN THE MOONLIGHT 288 00:13:19,833 --> 00:13:22,535 * JUST LIKE WE USED TO DO * 289 00:13:22,569 --> 00:13:25,338 JUST KEEP LISTENING TO MY VOICE. 290 00:13:25,372 --> 00:13:26,673 FEEL THE PRESSURE. 291 00:13:26,706 --> 00:13:29,209 HERE WE GO. 292 00:13:29,476 --> 00:13:31,845 * I'M ALWAYS WALKIN' 293 00:13:31,879 --> 00:13:33,981 * AFTER MIDNIGHT 294 00:13:34,014 --> 00:13:37,885 * SEARCHIN' FOR YOU 295 00:13:38,151 --> 00:13:40,820 * I WALK FOR MILES 296 00:13:40,854 --> 00:13:42,956 * ALONG THE HIGHWAY 297 00:13:42,990 --> 00:13:45,993 * WELL, THAT'S JUST MY WAY 298 00:13:46,026 --> 00:13:48,228 * OF SAYIN' I LOVE YOU 299 00:13:48,261 --> 00:13:51,398 Blane: HOLD. HOLD. HOLD. 300 00:13:51,431 --> 00:13:54,001 * I'M ALWAYS WALKIN' 301 00:13:54,034 --> 00:13:56,369 * AFTER MIDNIGHT 302 00:13:56,403 --> 00:13:58,638 * SEARCHIN' FOR YOU 303 00:13:58,671 --> 00:14:00,573 LOCK YOUR ELBOWS. 304 00:14:00,607 --> 00:14:01,741 DON'T LOSE IT NOW. 305 00:14:01,774 --> 00:14:05,512 * I'M ALWAYS WALKIN' 306 00:14:05,545 --> 00:14:07,814 * AFTER MIDNIGHT 307 00:14:07,847 --> 00:14:12,052 * DON'T MAKE A MOVE 308 00:14:13,853 --> 00:14:20,027 NOW SLIDE YOUR HANDS OUT FROM UNDER MINE. 309 00:14:20,593 --> 00:14:23,897 SLOWLY. EASY. 310 00:14:23,931 --> 00:14:25,498 EASY. 311 00:14:25,532 --> 00:14:28,201 EASY. 312 00:14:28,235 --> 00:14:30,837 EASY. 313 00:14:30,870 --> 00:14:31,504 YOU'RE OK. 314 00:14:31,538 --> 00:14:34,107 Blane: MOVE ONE STEP, SLOWLY. 315 00:14:36,143 --> 00:14:37,177 ONE MORE. 316 00:14:37,210 --> 00:14:38,912 SOFTLY. 317 00:14:46,987 --> 00:14:50,723 DAMN IF I CAN REMEMBER THE NEXT VERSE. 318 00:15:00,100 --> 00:15:00,934 OW. THAT HURT. 319 00:15:00,968 --> 00:15:02,069 WHAT ARE YOU DOING? 320 00:15:02,102 --> 00:15:03,303 WELL, KIM'S GOT THE FLU. 321 00:15:03,336 --> 00:15:06,106 SHE ASKED ME TO KEEP AN EYE ON THE GIRLS. 322 00:15:06,139 --> 00:15:08,641 I CAN TAKE CARE OF MY OWN DAUGHTERS. 323 00:15:08,675 --> 00:15:09,943 I THOUGHT YOU'D BE HAPPY. 324 00:15:09,977 --> 00:15:13,146 WELL, YOU WERE WRONG. GO HOME. 325 00:15:13,180 --> 00:15:15,082 YOUR WIFE'S OUT OF THE COUNTRY. 326 00:15:15,115 --> 00:15:17,150 WE HAVE THE PLACE TO OURSELVES. 327 00:15:17,184 --> 00:15:19,987 THIS PLACE IS MY HOME. 328 00:15:20,020 --> 00:15:24,124 THIS IS MY WIFE'S AND MY HOME. 329 00:15:24,157 --> 00:15:24,791 LET ME GO. 330 00:15:24,824 --> 00:15:26,126 I DON'T WANT YOU HERE. 331 00:15:26,159 --> 00:15:28,761 I WILL NOT DISRESPECT MY FAMILY. 332 00:15:30,663 --> 00:15:35,235 YOU WEREN'T DISRESPECTING YOUR FAMILY WHEN YOU MADE LOVE TO ME? 333 00:15:35,268 --> 00:15:36,970 THAT WAS A MISTAKE. 334 00:15:37,004 --> 00:15:40,240 I THOUGHT MEN LIKE YOU DON'T MAKE MISTAKES. 335 00:15:40,273 --> 00:15:41,841 WHAT DO YOU WANT? 336 00:15:41,874 --> 00:15:43,176 YOU, LIKE YOU WERE BEFORE. 337 00:15:43,210 --> 00:15:47,447 THAT'S NOT GONNA HAPPEN, NOT IN MY HOUSE. 338 00:15:47,780 --> 00:15:50,517 WE CAN GO SOMEWHERE ELSE. 339 00:15:50,550 --> 00:15:51,451 NO MORE. 340 00:15:51,484 --> 00:15:54,954 TAKE WHAT YOU CAME HERE WITH AND GET OUT. 341 00:15:54,988 --> 00:15:56,156 CAN I BORROW YOUR PHONE, THEN? 342 00:15:56,189 --> 00:16:00,293 I SHOULD CALL KIM AND LET HER KNOW I CAN'T DO HER A FAVOR 343 00:16:00,327 --> 00:16:02,162 AND LOOK AFTER YOUR KIDS, 344 00:16:02,195 --> 00:16:03,163 SINCE YOU'RE NOT COMFORTABLE 345 00:16:03,196 --> 00:16:07,034 HAVING ME AROUND AFTER YOU SLEPT WITH ME. 346 00:16:08,701 --> 00:16:12,139 Man: A SPECIAL WELCOME TO OUR VISITING ARMY WIVES. 347 00:16:12,172 --> 00:16:13,706 I'D LIKE YOU ALL TO PARTICIPATE 348 00:16:13,740 --> 00:16:15,808 IN THE ACTIVITIES PRECEDING WEDNESDAY'S CEREMONY 349 00:16:15,842 --> 00:16:18,778 TO HONOR THOSE WHO GAVE THEIR LIVES IN VIETNAM. 350 00:16:18,811 --> 00:16:24,084 AND NOW I'D LIKE TO GIVE THE FLOOR TO MY WIFE MAILAN. 351 00:16:24,917 --> 00:16:29,289 YOU HAVE AT YOUR TABLES AN ITINERARY OF ACTIVITIES. 352 00:16:29,322 --> 00:16:31,958 BUSES, GUIDES WILL BE MADE AVAILABLE... 353 00:16:31,991 --> 00:16:33,126 AMBASSADOR TROTTER. YES. 354 00:16:33,160 --> 00:16:35,795 I'M MOLLY BLANE, F.R.G., FORT GRIFFITH, U.S. 355 00:16:35,828 --> 00:16:36,963 VERY GOOD TO HAVE YOU HERE, MRS. BLANE. 356 00:16:36,996 --> 00:16:39,699 YOU'LL EXCUSE ME. I NEED TO GET TO MY OFFICE. 357 00:16:39,732 --> 00:16:42,935 I ONLY NEED A MOMENT. 358 00:16:43,603 --> 00:16:46,339 UH, IS THIS A FAMILY MEMBER? 359 00:16:46,373 --> 00:16:48,075 NO. HIS MOTHER GAVE ME THIS. 360 00:16:48,108 --> 00:16:50,743 SHE RECEIVED IT RECENTLY FROM A MAN HERE. 361 00:16:50,777 --> 00:16:51,711 SOMEONE AT THE EMBASSY? 362 00:16:51,744 --> 00:16:52,912 NO, KEVIN HUONG, A LOCAL MERCHANT. 363 00:16:52,945 --> 00:16:56,316 HE SAID THAT HE KNOWS WHERE THIS MAN-- HE'D BE 56 NOW--WAS. 364 00:16:56,349 --> 00:17:00,887 YEAH. DID HE ASK FOR MONEY IN EXCHANGE FOR THE INFORMATION? 365 00:17:00,920 --> 00:17:01,754 HE DID. YEAH. 366 00:17:01,788 --> 00:17:03,323 THE SURNAME HUONG IS VERY COMMON, 367 00:17:03,356 --> 00:17:07,194 BUT, UH, THE FIRST NAME PROBABLY CONNOTES AN AMERASIAN. 368 00:17:07,227 --> 00:17:08,395 IS THAT IMPORTANT? 369 00:17:08,428 --> 00:17:10,697 VIETNAM HAS A CASTE SYSTEM. 370 00:17:10,730 --> 00:17:12,432 THE AMERASIANS SIT ON THE BOTTOM RUNG. 371 00:17:12,465 --> 00:17:16,369 THEY'VE HAD TO SCROUNGE FOR A LIVING SINCE THEY WERE CHILDREN. 372 00:17:16,403 --> 00:17:18,438 THEY'RE NOT ACCEPTED BY THE VIETNAMESE 373 00:17:18,471 --> 00:17:21,174 NOR EMBRACED BY THEIR AMERICAN FATHERS. 374 00:17:21,208 --> 00:17:23,843 THESE CAN BE MADE ON ANY STREET. 375 00:17:23,876 --> 00:17:25,745 TAKES ABOUT 10 MINUTES. 376 00:17:25,778 --> 00:17:27,680 BUT SOME OF THEM ARE REAL. 377 00:17:27,714 --> 00:17:28,281 PERHAPS. 378 00:17:28,315 --> 00:17:29,749 IS THIS? PROBABLY NOT. 379 00:17:29,782 --> 00:17:31,050 I KNOW THAT'S ALMOST CERTAINLY TRUE, 380 00:17:31,084 --> 00:17:34,854 BUT I MADE A PROMISE, A PROMISE TO HIS MOTHER I'D LOOK INTO IT. 381 00:17:34,887 --> 00:17:38,191 CAN I SPEAK TO SOMEONE IN RECORDS AT THE EMBASSY? 382 00:17:38,225 --> 00:17:42,562 WAS THIS MAN REPORTED P.O.W., M.I.A., OR KILLED DURING THE WAR? 383 00:17:42,595 --> 00:17:43,630 YES. 384 00:17:43,663 --> 00:17:47,200 YEAH, THEN I'M AFRAID THAT'S ALL YOU'RE GONNA FIND. 385 00:17:47,234 --> 00:17:50,103 JAPANESE ARE STILL COMING OUT OF THE JUNGLE 386 00:17:50,137 --> 00:17:51,037 IN THE SOUTH PACIFIC. 387 00:17:51,070 --> 00:17:54,073 A MAN IN NORTH KOREA EMERGED JUST LAST YEAR-- 388 00:17:54,107 --> 00:17:55,074 THE KOREAN WAR. 389 00:17:55,108 --> 00:17:57,076 THERE HAVE BEEN P.O.W.s, M.I.A.s 390 00:17:57,110 --> 00:18:00,780 FROM THE VIETNAMESE WAR WHO HAVE REAPPEARED. 391 00:18:00,813 --> 00:18:01,681 VERY RARELY. 392 00:18:01,714 --> 00:18:04,217 CAN YOU PROVIDE ME WITH SECURITY ESCORT 393 00:18:04,251 --> 00:18:05,452 TO MEET THIS MR. HUONG? 394 00:18:05,485 --> 00:18:09,256 MRS. BLANE, THE MEN WE HAVE ARE HERE TO PROTECT THE EMBASSY. 395 00:18:09,289 --> 00:18:12,225 HAVE YOU BEEN TO VIETNAM BEFORE? 396 00:18:12,259 --> 00:18:13,426 I SEE. 397 00:18:13,460 --> 00:18:14,894 ENJOY THE FESTIVITIES 398 00:18:14,927 --> 00:18:15,728 AND FORGET THIS. 399 00:18:15,762 --> 00:18:17,063 THERE'S NOTHING TO BE FOUND. 400 00:18:17,096 --> 00:18:22,902 THIS MAY HAVE BELONGED TO SOMEONE'S SON. 401 00:18:22,935 --> 00:18:24,771 PERHAPS. 402 00:18:24,804 --> 00:18:27,340 YOU'LL EXCUSE US. 403 00:18:35,682 --> 00:18:36,783 ALL RIGHT, THIS SHOULD HOLD. 404 00:18:36,816 --> 00:18:39,286 DON'T YOU WANT A MAN OF MINE TO RUN THIS UP THE STAIRS? 405 00:18:39,319 --> 00:18:41,754 NO. THIS IS THE ONLY WAY FROM HERE TO THERE 406 00:18:41,788 --> 00:18:42,955 WE KNOW FOR A FACT IS CLEAR. 407 00:18:42,989 --> 00:18:43,990 WE'RE WAITIN' ON DRILL BITS. 408 00:18:44,023 --> 00:18:45,758 AFTER THIS, WE'RE GOOD TO GO. 409 00:18:45,792 --> 00:18:46,793 LOOK, I GOT A GUY UP THERE, 410 00:18:46,826 --> 00:18:49,095 HIS FOOT ON THE TRIGGER OF SOME KIND OF NASTINESS. 411 00:18:49,128 --> 00:18:49,962 I NEED THAT STUFF NOW. 412 00:18:49,996 --> 00:18:51,298 ALL RIGHT, HERE HE COMES. 413 00:18:51,331 --> 00:18:53,166 HERE. 414 00:18:55,202 --> 00:18:56,669 UP AND AWAY! 415 00:19:00,840 --> 00:19:04,344 IT WASN'T FAULTY MECHANICS. IT WAS MURDER. 416 00:19:04,377 --> 00:19:05,312 ELEVATORS ARE RIGGED. 417 00:19:05,345 --> 00:19:08,315 MAGNETIC DEVICE TO RELEASE THE AUTOMATIC BRAKE. 418 00:19:08,348 --> 00:19:12,219 WAS SHORT-RANGE, HAD TO BE ACTIVATED WITHIN 150 FEET. 419 00:19:12,252 --> 00:19:15,422 OUR GUY'S STILL IN THE BUILDING. 420 00:19:16,923 --> 00:19:17,690 OK. 421 00:19:17,724 --> 00:19:18,491 HERE IT COMES. 422 00:19:18,525 --> 00:19:21,228 THE PACKAGE IS ON ITS WAY. 423 00:19:21,261 --> 00:19:23,095 ROGER THAT. 424 00:19:37,109 --> 00:19:39,746 WE GOT IT. 425 00:19:43,616 --> 00:19:44,984 I BRING GIFTS. 426 00:19:45,017 --> 00:19:46,753 WE GOT THE STUFF, BUDDY. 427 00:19:46,786 --> 00:19:48,187 THAT'S COMFORTING, 428 00:19:48,221 --> 00:19:52,024 'CAUSE THE CAKE JUST STARTED TICKING. 429 00:20:01,033 --> 00:20:03,403 HOW'D YOU GET YOURSELF INTO THIS MESS, HECTOR? 430 00:20:03,436 --> 00:20:07,307 THE USUAL WAY. I DID A MAN A FAVOR. 431 00:20:08,074 --> 00:20:11,978 YOU WANNA TAKE A SHOWER, MAYBE BLOW-DRY YOUR HAIR FIRST? 432 00:20:13,045 --> 00:20:14,947 I WAS THINKIN' MAYBE A FIRE, 433 00:20:14,981 --> 00:20:18,117 MOONLIGHT, S'MORES. 434 00:20:25,157 --> 00:20:25,858 OK. 435 00:20:25,892 --> 00:20:28,194 I'M GONNA GET MY FIRST SHOT OFF. 436 00:20:35,402 --> 00:20:36,703 Williams: OH, YEAH. 437 00:20:36,736 --> 00:20:38,971 PRESSURE DEVICE IT IS. 438 00:20:41,441 --> 00:20:43,776 WE'RE GETTIN' YOU OUT OF HERE. 439 00:20:43,810 --> 00:20:46,313 STAY RIGHT ON MY ASS. 440 00:20:46,613 --> 00:20:50,149 AND THIS IS HOW WE'RE GONNA TRAVEL. 441 00:20:51,818 --> 00:20:52,585 YOU SERIOUS? 442 00:20:52,619 --> 00:20:53,453 IT'S THE ONLY EXIT. 443 00:20:53,486 --> 00:20:57,056 WHY? BECAUSE THE DEVICE CLEARED IT. 444 00:20:57,089 --> 00:20:59,158 SNAKE DOCTOR, IT'S ALL CLEAR. 445 00:20:59,191 --> 00:21:04,196 TRAVEL ONLY WHERE IT'S VERY SCENIC. 446 00:21:05,031 --> 00:21:07,534 SHOW ME A PRUSIK KNOT. 447 00:21:19,178 --> 00:21:22,114 GIVE ME ANOTHER ONE. 448 00:21:23,383 --> 00:21:26,018 YOU REMEMBER MOUNTAINEERING CLASSES? 449 00:21:26,052 --> 00:21:26,986 I DO. 450 00:21:27,019 --> 00:21:28,788 DID YOU PASS? 451 00:21:39,198 --> 00:21:41,133 LOCKS WITH TENSION. 452 00:21:41,167 --> 00:21:46,138 TENSION OFF, IT'LL SLIDE. 453 00:21:52,379 --> 00:21:53,646 YOU STOPPED SWEATING. 454 00:21:53,680 --> 00:21:54,847 YOU'RE DEHYDRATED. 455 00:21:54,881 --> 00:21:57,784 WE NEED TO GET SOME FLUIDS IN YOU WITHOUT YOU MOVING. 456 00:21:57,817 --> 00:21:59,051 I'M OK. LITTLE STIFF'S ALL. 457 00:21:59,085 --> 00:22:01,120 THEY'RE GOING NOW? 458 00:22:01,153 --> 00:22:01,988 MM-HMM. 459 00:22:02,021 --> 00:22:02,955 SELECTION. 460 00:22:02,989 --> 00:22:05,892 I HAD TO TAKE MY JUMARING TEST TWICE. 461 00:22:05,925 --> 00:22:08,961 HEH. IT'S LIKE A DANCE, THE FOOTWORK. 462 00:22:08,995 --> 00:22:09,829 THAT IT IS. 463 00:22:09,862 --> 00:22:12,899 Grey: OK, I GOT A SNAPSHOT OF THE CAKE. 464 00:22:12,932 --> 00:22:13,800 I SEE BATTERIES, 465 00:22:13,833 --> 00:22:14,534 MAYBE WATCH BATTERIES. 466 00:22:14,567 --> 00:22:16,403 JUST A LINE, NOTHING ABSOLUTE. 467 00:22:16,436 --> 00:22:17,203 EXPLOSIVES? 468 00:22:17,236 --> 00:22:19,038 I DON'T KNOW. MAYBE. 469 00:22:19,071 --> 00:22:20,973 WIRES FOR SURE. CIRCUITRY. 470 00:22:21,007 --> 00:22:23,009 NOW AIN'T THAT A COMFORT. 471 00:22:23,042 --> 00:22:25,478 YOU GOT TO TAKE A LEAK? 472 00:22:25,512 --> 00:22:26,979 WHERE'S THE MEDIC BAG? 473 00:22:27,013 --> 00:22:29,215 HO HO HO. 474 00:22:36,055 --> 00:22:37,424 ALL RIGHT. 475 00:22:37,457 --> 00:22:40,860 GET YOUR LEFT FOOT IN THAT STIRRUP. 476 00:22:42,128 --> 00:22:44,631 TRY NOT TO LOOK DOWN. 477 00:22:44,931 --> 00:22:49,268 DO EXACTLY WHAT I DO WHEN I DO IT. 478 00:22:49,301 --> 00:22:51,438 WE CAN DO THIS, TOM, RIGHT? 479 00:22:51,471 --> 00:22:55,174 WE'RE SURE AS HELL GONNA FIND OUT. 480 00:22:55,207 --> 00:22:59,045 RIGHT FOOT, RELEASE PRESSURE... 481 00:22:59,078 --> 00:23:01,080 NOW. 482 00:23:03,215 --> 00:23:07,086 STAND HARD TO LOCK IT. 483 00:23:07,620 --> 00:23:10,723 LEFT FOOT, ON MY MARK, 484 00:23:10,757 --> 00:23:12,559 RELEASE PRESSURE. 485 00:23:12,592 --> 00:23:14,060 NOW. 486 00:23:16,062 --> 00:23:17,196 RIGHT FOOT, 487 00:23:17,229 --> 00:23:19,566 RELEASE PRESSURE. GO. 488 00:23:21,000 --> 00:23:25,071 LEFT FOOT, RELEASE PRESSURE. GO. 489 00:23:37,684 --> 00:23:39,619 LOWERING YOUR BLOOD PRESSURE. 490 00:23:39,652 --> 00:23:41,988 THINK OF BEACHES AND WHITE SAND. 491 00:23:42,021 --> 00:23:45,091 LISBON. PINK SAND. 492 00:23:49,095 --> 00:23:51,864 AND EXHALE. 493 00:23:52,665 --> 00:23:54,266 OH, YEAH. 494 00:23:54,300 --> 00:23:56,102 GOOD BACK-FLOW. 495 00:23:56,135 --> 00:23:58,471 SOON YOU'LL BE SWEATIN' AND PEEIN' 496 00:23:58,505 --> 00:23:59,472 LIKE SECRETARIAT. 497 00:23:59,506 --> 00:24:01,073 WON'T HAVE TO WORRY ABOUT YOUR BODY LOCKIN' UP. 498 00:24:01,107 --> 00:24:03,409 YOU GET A LOLLIPOP WHEN THIS IS ALL OVER. 499 00:24:03,442 --> 00:24:06,813 OK, I GOT SOMETHIN'. 500 00:24:06,846 --> 00:24:07,847 HOW BAD? 501 00:24:07,880 --> 00:24:11,183 CAKE'S TALKIN' TO REMOTE DEVICES. 502 00:24:17,490 --> 00:24:18,791 WHAAH! 503 00:24:18,825 --> 00:24:22,061 UNH! AAH! 504 00:24:23,362 --> 00:24:24,330 HERE! 505 00:24:24,363 --> 00:24:28,034 DON'T REACH FOR ME YET. GET YOUR FOOTING FIRST. 506 00:24:29,168 --> 00:24:30,670 READY? 507 00:24:31,170 --> 00:24:32,171 OK. 508 00:24:32,204 --> 00:24:33,806 REACH FOR MY HAND. 509 00:24:48,521 --> 00:24:50,990 READY TO GO, THEN. 510 00:24:55,762 --> 00:24:57,730 Molly: HE MIGHT NOT BE HERE. 511 00:24:57,764 --> 00:24:58,965 WISH WE HAD MORE PROTECTION. 512 00:24:58,998 --> 00:25:02,134 THAT'S WHAT MAC SAID WHEN I GOT PREGNANT WITH LISSY. COME ON. 513 00:25:02,168 --> 00:25:03,970 THIS MAN IS PROBABLY A CON ARTIST. 514 00:25:04,003 --> 00:25:08,474 YOU THINK THAT VIOLENCE ISN'T IN HIS BAG OF TRICKS? 515 00:25:08,507 --> 00:25:10,977 WE'VE GOT INSURANCE AGAINST THAT-- 516 00:25:11,010 --> 00:25:11,711 HIS GREED. 517 00:25:11,744 --> 00:25:14,681 WE CAN TAKE CARE OF OURSELVES. 518 00:25:15,948 --> 00:25:17,249 GIVE ME THE MONEY FIRST. 519 00:25:17,283 --> 00:25:20,086 I'M NOT GIVING YOU ANYTHING UNTIL I GET SOME INFORMATION, MR. HUONG. 520 00:25:20,119 --> 00:25:22,421 YOU KNOW HIM, PATRICK GAFFNEY? 521 00:25:22,454 --> 00:25:23,289 HE GOES BY THE NAME... 522 00:25:23,322 --> 00:25:25,925 DOUG McBRIDE, FIFTIES, AMERICAN, EX-PAT. 523 00:25:25,958 --> 00:25:27,193 DO I PASS? 524 00:25:27,226 --> 00:25:28,094 WHERE IS HE? 525 00:25:28,127 --> 00:25:29,228 I CAN GIVE YOU DIRECTIONS AFTER I'M PAID. 526 00:25:29,261 --> 00:25:32,031 I'M NOT GIVING YOU ANY MONEY UNTIL WE'RE SURE IT'S HIM. 527 00:25:32,064 --> 00:25:32,999 WHERE WAS HE BORN? 528 00:25:33,032 --> 00:25:34,366 HOW MANY BROTHERS DOES HE HAVE? 529 00:25:34,400 --> 00:25:36,035 WHAT WAS HIS FAVORITE BASEBALL TEAM? 530 00:25:36,068 --> 00:25:39,538 NO, YOU GIVE ME MONEY, I MAKE THE CALL. 531 00:25:47,279 --> 00:25:49,949 NOW, I CAN'T SPEND THIS, CAN I? 532 00:25:49,982 --> 00:25:52,051 YESTERDAY'S DATE ON THE NEWSPAPER. 533 00:25:52,084 --> 00:25:54,053 WE HAVE THE MONEY. 534 00:25:54,086 --> 00:25:56,022 1,000 U.S. DOLLARS. 535 00:25:56,055 --> 00:26:00,059 IT'S YOURS WHEN I GET THE ANSWERS. 536 00:26:00,593 --> 00:26:02,995 STAY HERE. 537 00:26:07,099 --> 00:26:10,536 Kevin: I HAVE TO ASK YOU A FEW QUESTIONS. 538 00:26:10,569 --> 00:26:12,605 WHERE WERE YOU BORN? 539 00:26:15,141 --> 00:26:18,577 BORN DAYTON, OHIO. NO BROTHERS, NO SISTERS. 540 00:26:18,611 --> 00:26:19,345 FAVORITE BASEBALL TEAM. 541 00:26:19,378 --> 00:26:22,581 WHAT'S YOUR FAVORITE BASEBALL TEAM? 542 00:26:22,615 --> 00:26:25,752 'CAUSE I'M BUYING YOU SEASON TICKETS. 543 00:26:27,920 --> 00:26:30,122 CHICAGO WHITE SOX. 544 00:26:33,993 --> 00:26:35,895 YOU TAKE US TO PATRICK GAFFNEY. 545 00:26:35,928 --> 00:26:39,165 WE'LL ALL GO BACK TO OUR HOTEL TOGETHER 546 00:26:39,198 --> 00:26:41,367 AND GET YOU THE MONEY. 547 00:26:52,444 --> 00:26:53,680 WHY ARE YOU HERE? 548 00:26:53,713 --> 00:26:57,083 KIM'S FEVER'S WORSE, AND SHE'S STILL WORRIED ABOUT YOUR GIRLS. 549 00:26:57,116 --> 00:26:58,651 YOU KNOW, DINNER ON THE TABLE, 550 00:26:58,685 --> 00:27:01,988 DIRTY DISHES IN THE SINK-- THAT KIND OF THING. 551 00:27:02,021 --> 00:27:02,855 SHE MADE ME PROMISE. 552 00:27:02,889 --> 00:27:06,659 I WON'T SAY A WORD, OK, SO DON'T WORRY. 553 00:27:06,693 --> 00:27:07,860 DON'T WORRY ABOUT ME AT ALL. 554 00:27:07,894 --> 00:27:11,030 I'LL FIND SOMEBODY TOMORROW TO HELP ME OUT WITH THE GIRLS. 555 00:27:11,063 --> 00:27:14,633 WELL, I CAN PICK 'EM UP AFTER SOCCER PRACTICE. 556 00:27:15,702 --> 00:27:17,770 THAT WON'T BE NECESSARY. 557 00:27:17,804 --> 00:27:20,039 IT'S ALL RIGHT. 558 00:27:21,007 --> 00:27:22,174 HOW'S JEREMY? 559 00:27:22,208 --> 00:27:24,376 I DON'T KNOW. 560 00:27:25,377 --> 00:27:28,180 PRETTY HORRIBLE OF ME, HUH? 561 00:27:28,214 --> 00:27:31,751 HE COULD PROBABLY USE YOU RIGHT NOW. 562 00:27:39,191 --> 00:27:40,559 Kevin: PATRICK! 563 00:27:40,592 --> 00:27:43,162 PATRICK GAFFNEY! 564 00:27:45,564 --> 00:27:48,234 YOU GOT THE MONEY YET? 565 00:27:48,267 --> 00:27:51,670 WHEN YOU GET THE MONEY, WE'LL TALK. 566 00:27:51,704 --> 00:27:53,505 YOU SON OF A BITCH. 567 00:27:54,206 --> 00:27:56,876 TAKE HIM TO THE HOTEL AND GET HIM THE MONEY. 568 00:27:56,909 --> 00:28:00,046 BUT THE MAN'S TRYING TO STEAL FROM HIS OWN MOTHER. 569 00:28:00,079 --> 00:28:03,916 I DIDN'T COME THIS FAR TO STOP NOW. DO IT. 570 00:28:05,051 --> 00:28:06,552 I GOT YOUR ADDRESS. 571 00:28:06,585 --> 00:28:08,587 YOU GOT SOME SWEET CONTRABAND, YOUR ROOM, 572 00:28:08,620 --> 00:28:12,191 SO YOU BE BACK HERE IN 2 HOURS. 573 00:28:17,930 --> 00:28:18,965 LOOK, WE CLEARED AS MUCH AS WE COULD, 574 00:28:18,998 --> 00:28:20,767 BUT THERE ARE STILL SOME JAGGED EDGES. BE CAREFUL. 575 00:28:20,800 --> 00:28:22,168 AW, THAT'S GOOD TO KNOW. 576 00:28:24,904 --> 00:28:27,106 Ryan: GIVE HIM A HAND. 577 00:28:30,409 --> 00:28:31,443 YOU OK? 578 00:28:31,477 --> 00:28:33,913 AHH! 579 00:28:35,047 --> 00:28:36,783 OHH. 580 00:28:36,816 --> 00:28:39,018 TOM, THANK YOU. 581 00:28:39,051 --> 00:28:42,054 NYPD's GONNA ESCORT YOU OUT OF HERE 582 00:28:42,088 --> 00:28:43,355 AND GET YOU TO A SAFE HOUSE. 583 00:28:43,389 --> 00:28:45,024 WE'RE DONE HERE, WE'LL PICK YOU UP. 584 00:28:45,057 --> 00:28:48,194 I GOT A MAN UPSTAIRS. HE'S IN DANGER NOW. 585 00:28:48,227 --> 00:28:50,763 YOU'LL BE SAFE WITH THESE MEN. 586 00:28:50,797 --> 00:28:52,264 OFF YOU GO. 587 00:28:57,436 --> 00:28:59,438 THAT WAS A BITCH. 588 00:29:00,072 --> 00:29:01,040 2 BLASTING CAPS. 589 00:29:01,073 --> 00:29:03,142 SMALL QUANTITIES OF WHAT APPEAR TO BE EXPLOSIVES 590 00:29:03,175 --> 00:29:03,943 WITH MULTIPLE COLLAPSING CIRCUITS. 591 00:29:03,976 --> 00:29:05,477 BECAUSE IT'S A PRESSURE VESSEL. 592 00:29:05,511 --> 00:29:07,146 HAS TO CONTAIN SOME SORT OF GAS. 593 00:29:07,179 --> 00:29:09,982 ONCE GAS IS RELEASED, GOES THROUGH AIR DUCTS, 594 00:29:10,016 --> 00:29:10,917 BUILDING'S CONTAMINATED. 595 00:29:10,950 --> 00:29:12,318 THERE'S A SECOND TRANSMITTER IN THERE, BOSS. 596 00:29:12,351 --> 00:29:16,055 MEANS THERE'S AT LEAST ONE OTHER DEVICE IN THE BUILDING, IF NOT MORE. 597 00:29:16,088 --> 00:29:17,456 CAKE'S TALKIN' TO 'EM? 598 00:29:17,489 --> 00:29:19,325 YEAH. CHATTIN' UP A STORM. 599 00:29:19,358 --> 00:29:21,427 COULD BE GAS, ANTHRAX, RICIN, AIR. 600 00:29:21,460 --> 00:29:23,062 THE CAKE'S THE ARMING DEVICE. 601 00:29:23,095 --> 00:29:25,965 THE PRESSURE BUTTON THAT WILLIAMS' FOOT IS ON, 602 00:29:25,998 --> 00:29:26,966 THAT'S THE TRIGGER. 603 00:29:26,999 --> 00:29:28,567 FOR ALL OF 'EM? THAT'S RIGHT. 604 00:29:28,600 --> 00:29:30,736 FOR ALL OF 'EM, WHEREVER THEY ARE. 605 00:29:30,769 --> 00:29:32,304 WE GOT HALF THE EMPLOYEES IN THE BUILDING 606 00:29:32,338 --> 00:29:33,272 LOCKED DOWN IN THEIR OFFICES. 607 00:29:33,305 --> 00:29:35,007 NOT ANYMORE. WE HAVE TO TAKE OUR CHANCES 608 00:29:35,041 --> 00:29:36,642 WITH THE STAIRWELLS, PRAY THEY AIN'T RIGGED. 609 00:29:36,675 --> 00:29:37,977 IT'S BETTER THAN GETTING GASSED. 610 00:29:38,010 --> 00:29:39,645 YOU JUST LOCKED THE BUILDING DOWN, 611 00:29:39,678 --> 00:29:41,180 AND NOW YOU WANNA CLEAR IT? 612 00:29:41,213 --> 00:29:42,148 OUR PACKAGE IS SAFE. 613 00:29:42,181 --> 00:29:43,916 WHITE HOUSE WON'T GIVE ME A POSTHUMOUS AWARD, 614 00:29:43,950 --> 00:29:46,986 NO DIPLOMATS ARE LEFT TO ATTEND EACH OTHER'S FUNERALS. 615 00:29:47,019 --> 00:29:50,256 I SUGGEST WE FIND OUT WHAT THE GAS IS... 616 00:29:50,289 --> 00:29:53,125 AND THE BAD BOY WHO PUT IT THERE. 617 00:30:00,166 --> 00:30:01,167 SIGN IN, CHECK OUT, NO ONE FROM A BAKERY 618 00:30:01,200 --> 00:30:03,002 OR WITH ANYTHING THAT SET OFF THE METAL DETECTORS. 619 00:30:03,035 --> 00:30:04,670 NO, THIS WOULDN'T HAVE. THEY HAVE TO SHOW I.D.? 620 00:30:04,703 --> 00:30:07,273 DRIVER'S LICENSE, WHICH WE HOLD TILL THEY LEAVE. 621 00:30:07,306 --> 00:30:08,374 AN EMPLOYEE SHOWS KEY-CARD I.D. 622 00:30:08,407 --> 00:30:11,043 ALL VISITORS STOP AT THE DESK BEFORE THEY LEAVE. 623 00:30:11,077 --> 00:30:13,312 I HAVE TO BELIEVE SOME PEOPLE SLIP BY. 624 00:30:13,345 --> 00:30:15,181 PEOPLE COMING IN TO DO WORK, OUTSIDE CONTRACTORS, 625 00:30:15,214 --> 00:30:17,149 THEY GOTTA LEAVE THEIR LICENSES AND BUSINESS CARDS, 626 00:30:17,183 --> 00:30:19,318 KNOW WHERE THEY'RE GOING AND TO DO WHAT. 627 00:30:19,351 --> 00:30:20,652 SEVERAL AREAS ARE RESTRICTED. 628 00:30:20,686 --> 00:30:21,787 AND WHAT DO YOU DO 629 00:30:21,820 --> 00:30:24,023 WITH THE CARDS AND LICENSES WHEN THEY'RE NOT PICKED UP? 630 00:30:24,056 --> 00:30:27,159 Grey: COOL BREEZE, BETTY BLUE HAS A CHRISTMAS LIST. 631 00:30:27,193 --> 00:30:28,694 ALL RIGHT. TELL ME EVERYTHING YOU NEED. 632 00:30:28,727 --> 00:30:32,831 ESTHER GETZ, CHECKED IN 11 A.M. YESTERDAY. 633 00:30:32,865 --> 00:30:35,001 YEAH, DECORATING KAY TROY'S OFFICE. 634 00:30:35,034 --> 00:30:36,135 REMOVED BY AMBULANCE 635 00:30:36,168 --> 00:30:38,670 POST-CHEST-PAINS 2 HOURS AFTER CHECK IN. 636 00:30:38,704 --> 00:30:41,540 MICKEY CAPRIO, A CHEF, TODAY 8 A.M. 637 00:30:41,573 --> 00:30:42,674 A COOKING DEMO FOR-- 638 00:30:42,708 --> 00:30:43,709 YEAH, FOR OUR HEAD CHEF HERE. 639 00:30:43,742 --> 00:30:46,178 I SAW CAPRIO IN THE MAIN KITCHEN WHEN I SWEPT IT. 640 00:30:46,212 --> 00:30:48,714 EVAN SKAFF, 42, DULANIAN A.C. 641 00:30:48,747 --> 00:30:50,749 CHECKED IN YESTERDAY 4:45 A.M. 642 00:30:50,782 --> 00:30:53,652 HE NEVER CHECKED OUT. HOW COME THIS WASN'T RED-FLAGGED? 643 00:30:53,685 --> 00:30:55,721 SERVICEMEN, SOMETIMES THEY TAKE HOURS, 644 00:30:55,754 --> 00:30:56,755 CHECK IN DURING ONE SHIFT. 645 00:30:56,788 --> 00:30:59,058 NEXT SHIFT PROBABLY FIGURED HE WAS STILL WORKING. 646 00:30:59,091 --> 00:31:00,659 WHAT AREA DOES HE HAVE ACCESS TO? 647 00:31:00,692 --> 00:31:01,727 AIR DUCTS, BASEMENT. 648 00:31:01,760 --> 00:31:02,594 CALL HIS COMPANY. 649 00:31:02,628 --> 00:31:05,164 SEE IF THEY KNOW WHERE THIS FELLA IS, 650 00:31:05,197 --> 00:31:06,098 ALL RIGHT? YEAH. 651 00:31:06,132 --> 00:31:07,599 SNAKE DOCTOR, I GOT A FEW NAMES 652 00:31:07,633 --> 00:31:09,568 YOU'RE GONNA WANNA RUN PAST THE SECRETARY GENERAL. 653 00:31:09,601 --> 00:31:12,071 ALL RIGHT, I NEED EXACTLY WHAT'S ON THIS LIST NOW. 654 00:31:12,104 --> 00:31:14,240 SEND ONE OF YOUR GUYS WITH AN NYPD COP. 655 00:31:14,273 --> 00:31:16,175 I WANNA HEAR THOSE SIRENS GOING. 656 00:31:16,208 --> 00:31:16,943 YOU GOT IT. 657 00:31:17,676 --> 00:31:19,245 HOW'S IT COMING, MR. GOLDBERG? 658 00:31:19,278 --> 00:31:21,147 Grey: HALFWAY HOME. 659 00:31:23,615 --> 00:31:24,416 YOU WANTED ME? 660 00:31:24,450 --> 00:31:26,953 A MAN FROM DELANIAN AIR CONDITIONING, 661 00:31:26,986 --> 00:31:27,719 NAME'S EVAN SKAFF, 662 00:31:27,753 --> 00:31:29,355 SHOWED UP HERE YESTERDAY MORNING. 663 00:31:29,388 --> 00:31:31,257 NEVER LEFT. CALLED THE COMPANY. 664 00:31:31,290 --> 00:31:33,292 SKAFF CALLED IN SICK TODAY. 665 00:31:33,325 --> 00:31:35,094 CALLED HIS HOME. NO ANSWER. 666 00:31:35,127 --> 00:31:36,762 TAKE A LOOK AT THIS. 667 00:31:36,795 --> 00:31:38,764 YOU KNOW THIS MAN? 668 00:31:38,797 --> 00:31:40,132 Grey: HEY... 669 00:31:40,166 --> 00:31:42,634 CAN YOU KIDS PLAY IN THE YARD? 670 00:31:51,143 --> 00:31:53,245 THAT'S THE CONNECTION. 671 00:31:53,279 --> 00:31:54,113 NIKA PETROS. 672 00:31:54,146 --> 00:31:56,048 THE GUY THAT DIED IN THE ELEVATOR CRASH. 673 00:31:56,082 --> 00:31:59,151 3 YEARS AGO, HE WAS DRIVING DRUNK IN BROOKLYN, 674 00:31:59,185 --> 00:32:01,954 TOOK A CORNER TOO FAST, AND... 675 00:32:01,988 --> 00:32:03,422 HIT SKAFF'S SON. 676 00:32:03,455 --> 00:32:04,390 12 YEARS OLD. 677 00:32:04,423 --> 00:32:05,958 SKAFF BOY DIED. 678 00:32:05,992 --> 00:32:08,927 YES. PETROS WASN'T ARRESTED. 679 00:32:08,961 --> 00:32:10,829 DIPLOMATIC IMMUNITY. 680 00:32:10,862 --> 00:32:12,798 BOSS. 681 00:32:12,831 --> 00:32:14,066 IT'S RICIN. 682 00:32:14,100 --> 00:32:14,866 YOU CERTAIN? 683 00:32:14,900 --> 00:32:16,435 YEAH. SPOT ON THE FILM LOOKED FUZZY. 684 00:32:16,468 --> 00:32:18,237 I TOOK ANOTHER SHOT. 685 00:32:18,270 --> 00:32:20,272 MAGNIFIED 1000-X, LOOKED LIKE A SEURAT PAINTING, 686 00:32:20,306 --> 00:32:23,409 GRAINS SO SMALL, STILL COULDN'T MAKE 'EM OUT. 687 00:32:23,442 --> 00:32:24,443 HALLMARK OF RICIN. 688 00:32:24,476 --> 00:32:25,344 MR. GREEN KNOW? 689 00:32:25,377 --> 00:32:27,313 NO. THAT'S WHY I CAME OUT HERE. 690 00:32:27,346 --> 00:32:29,281 HE'S GOT OTHER THINGS ON HIS MIND. 691 00:32:29,315 --> 00:32:31,683 GAS MASKS. WE COULD ALL WEAR GAS MASKS. 692 00:32:31,717 --> 00:32:33,485 RICIN IS ABSORBED THROUGH THE PORES, 693 00:32:33,519 --> 00:32:36,888 AND THERE AIN'T ONE OF US NOT SWEATIN'. 694 00:32:37,456 --> 00:32:38,657 CAN YOU DISARM IT? 695 00:32:38,690 --> 00:32:40,526 I'LL DO MY LEVEL BEST. 696 00:32:40,559 --> 00:32:42,194 GENTLEMEN, SEEMS WE HAVE CONFIRMATION 697 00:32:42,228 --> 00:32:46,498 THAT SKAFF'S THE FOOL PLAYING RED ROVER AT THE U.N. 698 00:32:46,532 --> 00:32:51,170 HE'S STILL IN THE BUILDING, YOU FIND HIM FAST. 699 00:32:52,204 --> 00:32:53,139 FOUND SKAFF'S A.C. UNIFORM. 700 00:32:53,172 --> 00:32:55,374 HE DUMPED IT IN AN AIR DUCT BACK THERE. 701 00:32:55,407 --> 00:32:57,009 WHO KNOWS HOW HE'S DRESSED NOW? 702 00:32:57,043 --> 00:32:58,144 THIS AIR DUCT HERE? 703 00:32:58,177 --> 00:32:59,278 YEAH. THAT'S THE ONE. 704 00:32:59,311 --> 00:33:02,314 ALL RIGHT, HE'D HAVE ACCESS HERE, HERE, HERE, AND HERE. 705 00:33:02,348 --> 00:33:03,182 THEY'RE ALL VULNERABLE. 706 00:33:03,215 --> 00:33:05,717 CORKSCREW, KNIFE, SCREWDRIVER, 707 00:33:05,751 --> 00:33:07,053 RIP AN ARM OFF A METAL CHAIR, 708 00:33:07,086 --> 00:33:10,022 ANYTHING COMMON'D GAIN A GUY WHO KNOWS HIS WAY AROUND ACCESS. 709 00:33:10,056 --> 00:33:13,159 SKAFF WAS HERE, HE'D HAVE A SMORGASBORD OF CHOICES. 710 00:33:13,192 --> 00:33:16,362 ALL RIGHT, WE'RE HERE IN THE BASEMENT OF THE SECRETARIAT BUILDING. 711 00:33:16,395 --> 00:33:17,063 WHAT'S THIS? 712 00:33:17,096 --> 00:33:18,730 I DIDN'T CATCH THAT. THAT'S-- 713 00:33:18,764 --> 00:33:21,967 THAT'S A CRAWL SPACE THAT LEADS FROM THIS BUILDING 714 00:33:22,000 --> 00:33:23,001 INTO A COURTYARD. 715 00:33:23,035 --> 00:33:25,571 MAN COULD JUST... 716 00:33:25,604 --> 00:33:26,872 WALK OUT. 717 00:33:26,905 --> 00:33:27,773 AND GO WHERE? 718 00:33:27,806 --> 00:33:29,575 HE'D WANT TO KNOW THAT HIS MISSION'S DONE. 719 00:33:29,608 --> 00:33:30,742 IF HE'S NOT IN THIS BUILDING, 720 00:33:30,776 --> 00:33:34,080 IT'S A GOOD BET HE'S WATCHIN' IT. 721 00:33:34,880 --> 00:33:35,981 POLICE KEEP IT ON THE BOOKS, 722 00:33:36,014 --> 00:33:37,516 ANY GUY EVER LOSE HIS DIPLOMATIC STATUS? 723 00:33:37,549 --> 00:33:40,152 LAST YEAR, THE GREEK GOVERNMENT GOT FED UP WITH PETROS, 724 00:33:40,186 --> 00:33:43,489 WANTED TO PULL HIS CREDENTIALS AND HAND HIM OVER TO NYPD. 725 00:33:43,522 --> 00:33:44,890 AND PETROS CAME TO YOU. 726 00:33:44,923 --> 00:33:47,159 I HAD AN IMPORTANT VOTE ON THE FLOOR, 727 00:33:47,193 --> 00:33:50,229 AND HE COULD HELP ME WIN, A VOTE ABOUT-- 728 00:33:50,262 --> 00:33:51,930 WHY THE HELL WOULD I CARE? 729 00:33:51,963 --> 00:33:55,734 THE NERVE GAS, RICIN IN THAT DEVICE, 730 00:33:55,767 --> 00:33:59,671 WOULD MAKE THE U.N. UNINHABITABLE FOR AT LEAST 2 YEARS, 731 00:33:59,705 --> 00:34:03,575 KILL MY MEN AND ANYONE ELSE THAT'S STILL HERE. 732 00:34:03,609 --> 00:34:05,544 WHEN YOU ASKED, I DIDN'T REMEMBER. 733 00:34:05,577 --> 00:34:08,847 I GET LETTERS FROM PEOPLE ALL OVER THE WORLD-- 734 00:34:08,880 --> 00:34:10,416 AND YOU FORGOT. 735 00:34:11,383 --> 00:34:13,719 YES. 736 00:34:13,752 --> 00:34:16,088 THAT'S RIGHT. 737 00:34:21,093 --> 00:34:23,195 HOW CAN YOU DO THIS TO YOUR OWN MOTHER? 738 00:34:23,229 --> 00:34:26,064 EVERY PENNY SHE HAD, SHE GAVE TO ME TO FIND YOU, 739 00:34:26,098 --> 00:34:30,068 AND HERE YOU ARE, A DEADBEAT DESERTER. 740 00:34:30,102 --> 00:34:33,405 YOUR MOTHER IS DYING, PATRICK. 741 00:34:33,439 --> 00:34:35,107 I DON'T EXPECT YOU TO UNDERSTAND, 742 00:34:35,141 --> 00:34:37,075 AND I DON'T NEED TO EXPLAIN MYSELF. 743 00:34:37,109 --> 00:34:40,212 CALL HER. LET HER HEAR YOUR VOICE. GIVE HER THAT. 744 00:34:40,246 --> 00:34:42,748 SHE DOESN'T HAVE TO KNOW YOU STOLE FROM HER. 745 00:34:42,781 --> 00:34:44,583 YOU'LL STILL GET YOUR MONEY. 746 00:34:44,616 --> 00:34:46,285 I DON'T THINK SO. 747 00:34:46,318 --> 00:34:47,286 I MET YOUR MOTHER. 748 00:34:47,319 --> 00:34:51,957 SHE CAME TO MY DOOR WITH ONE THING ON HER MIND, 749 00:34:51,990 --> 00:34:53,292 HER BABY. 750 00:34:53,325 --> 00:34:59,598 SHE DIDN'T STRIKE ME AS A WOMAN WHO RAISED SOMEONE WHO DIDN'T CARE. 751 00:34:59,631 --> 00:35:03,034 REMEMBER THOSE DAYS IN BALTIMORE? 752 00:35:07,038 --> 00:35:09,208 NOT ANYMORE. 753 00:35:14,980 --> 00:35:17,183 TURN AROUND. 754 00:35:17,216 --> 00:35:19,651 I SAID TURN AROUND. 755 00:35:19,685 --> 00:35:21,953 I REMEMBER BALTIMORE. WHAT'S IT TO YOU? 756 00:35:21,987 --> 00:35:23,955 YOU REMEMBER BALTIMORE, BUT YOU FORGET 757 00:35:23,989 --> 00:35:25,857 THAT YOU'RE SUPPOSED TO HAVE SCARS 758 00:35:25,891 --> 00:35:28,660 AROUND YOUR NECK FROM BOILING WATER. 759 00:35:28,694 --> 00:35:31,230 WHO ARE YOU? 760 00:35:35,734 --> 00:35:37,303 HE ASLEEP? 761 00:35:37,336 --> 00:35:39,338 BIOFEEDBACK. 762 00:35:39,371 --> 00:35:40,339 SEE HIS EYE MOVEMENTS, 763 00:35:40,372 --> 00:35:44,142 DARTING BACK AND FORTH AS IF HE WAS IN REM SLEEP? 764 00:35:44,176 --> 00:35:45,477 HE'S VISUALIZING. 765 00:35:45,511 --> 00:35:47,346 LOWERS THE BLOOD PRESSURE. 766 00:35:47,379 --> 00:35:48,347 SLOWS THE HEART RATE. 767 00:35:48,380 --> 00:35:52,418 HE WAS ASLEEP, HE COULDN'T KEEP HIS MUSCLES TAUT. 768 00:35:56,154 --> 00:36:00,226 THINK IT'S TIME TO GET YOU OUT OF HERE NOW, MR. SECRETARY. 769 00:36:00,259 --> 00:36:01,993 THE STAIRWELL SHOULD BE SAFE TO USE. 770 00:36:02,027 --> 00:36:06,298 BUT THE MAN WHO WANTS TO KILL ME IS STILL IN THE BUILDING. 771 00:36:06,332 --> 00:36:09,034 WELL, YES, THERE IS THAT. 772 00:36:17,042 --> 00:36:18,244 CHILLY TONIGHT, HUH? 773 00:36:18,277 --> 00:36:20,011 MM-HMM. 774 00:36:20,045 --> 00:36:23,415 Officer: YOU ALL RIGHT, MAN? 775 00:36:25,917 --> 00:36:28,987 Ryan: NOTHING HERE. I'M ABOUT TO EXIT ON YOUR END. 776 00:36:29,020 --> 00:36:31,022 HEY, YOU LOST, BUDDY? 777 00:36:31,056 --> 00:36:32,190 NO, MAN. I'M JUST OUT HERE-- 778 00:36:32,224 --> 00:36:34,826 TALKIN' TO SOMEBODY ON A WALKIE? LET ME SEE SOME I.D. 779 00:36:34,860 --> 00:36:36,061 LOOK, MAN, I'M JUST OUT FOR A WALK. 780 00:36:36,094 --> 00:36:38,029 I DON'T NEED TO BE HASSLED BY YOU TWO. JUST-- 781 00:36:38,063 --> 00:36:40,266 AW, COME ON, BRO. THIS ISN'T-- OK. ALL RIGHT. 782 00:36:40,299 --> 00:36:41,933 ALL RIGHT, ALL RIGHT. 783 00:36:41,967 --> 00:36:43,935 AH. LOOKY HERE. 784 00:36:43,969 --> 00:36:44,736 I'LL GO FOR HELP. 785 00:36:44,770 --> 00:36:46,938 NO, STAY HERE. I NEED YOUR HELP. 786 00:36:46,972 --> 00:36:48,039 YEAH. HE NEEDS YOUR HELP. 787 00:36:48,073 --> 00:36:50,242 WHO THE HELL ARE YOU? LET ME SEE YOUR HANDS. 788 00:36:50,276 --> 00:36:52,278 YOU KNOW THIS OFFICER? 789 00:36:52,311 --> 00:36:54,246 I WAS SMOKIN', AND HE CAME UP. 790 00:36:54,280 --> 00:36:56,047 LOOK, HE'S GOT THE BADGE. 791 00:36:56,081 --> 00:36:59,217 GIVE MY BUDDY BACK HIS GUN. 792 00:37:00,118 --> 00:37:02,120 MY SINCEREST APOLOGIES. 793 00:37:02,153 --> 00:37:04,656 LET ME SEE YOUR HANDS. 794 00:37:10,729 --> 00:37:14,833 WHERE'S THE OTHER DEVICES, MR. SKAFF? 795 00:37:17,403 --> 00:37:19,738 I WAS JUST GIVIN' 'EM BOTH, THIS WHOLE PLACE 796 00:37:19,771 --> 00:37:21,307 WHAT THEY DESERVE FOR MY SON. 797 00:37:21,340 --> 00:37:23,141 CONFIRMING RICIN IS IN THE CAKE, 798 00:37:23,174 --> 00:37:24,142 BUT THERE ARE NO OTHER DEVICES. 799 00:37:24,175 --> 00:37:27,112 THE BUILDING'S BEEN CLEARED, SAVE FOR YOU LADS. 800 00:37:27,145 --> 00:37:27,946 ROGER THAT. 801 00:37:27,979 --> 00:37:29,781 WE GOT 3 DIFFERENT COLLAPSING CIRCUITS. 802 00:37:29,815 --> 00:37:31,950 WE HAVE TO HIT ALL 3 SIMULTANEOUSLY. 803 00:37:31,983 --> 00:37:34,953 I'VE SET THESE WATER CANNONS TO FIRE ON ONE CIRCUIT, 804 00:37:34,986 --> 00:37:37,055 TAKE OUT THE POWER SOURCES. 805 00:37:37,088 --> 00:37:38,657 ANYTHING OFF BY A MILLIMETER, 806 00:37:38,690 --> 00:37:39,958 AIN'T GONNA BE VERY GOOD. 807 00:37:39,991 --> 00:37:43,495 YOU MISS, I MOVE ONE WAY OR THE OTHER. 808 00:37:43,529 --> 00:37:44,930 IS THAT A GO, NO GO? 809 00:37:47,165 --> 00:37:48,099 WE'LL GO. 810 00:37:48,133 --> 00:37:51,637 THAT'S A GO, COOL BREEZE. 811 00:38:17,796 --> 00:38:19,365 SNAKE DOC. 812 00:38:20,799 --> 00:38:23,234 SNAKE DOC, ARE YOU THERE? 813 00:38:25,003 --> 00:38:26,472 WHO WANTS CAKE? 814 00:38:26,505 --> 00:38:28,173 HOLD IT. WAIT. LET ME CHECK IT. 815 00:38:28,206 --> 00:38:31,410 WHAT'S TO CHECK? I'M WEARIN' IT. 816 00:38:35,681 --> 00:38:37,816 OK, MOVE. 817 00:38:37,849 --> 00:38:38,950 I CAN'T. 818 00:38:40,686 --> 00:38:45,323 MY KNEE LOCKED A COUPLE HOURS AGO. 819 00:38:48,026 --> 00:38:49,160 HELL OF A DAY. 820 00:38:49,194 --> 00:38:52,197 LET'S TUCK THIS POOR LAD IN. 821 00:38:54,232 --> 00:38:56,034 COLONEL. 822 00:38:56,067 --> 00:39:00,038 I TURN INTO A COLONEL AT MIDNIGHT. 823 00:39:00,071 --> 00:39:01,039 IT'S 2230. 824 00:39:01,072 --> 00:39:04,142 I GOT 90 MINUTES TO GET MY MATES DRUNK. 825 00:39:04,175 --> 00:39:07,012 WELL, THAT SOUNDS GOOD TO ME, TOM. 826 00:39:07,045 --> 00:39:12,418 HE PROCEEDS TO "TOMMY," SIR, FEEL FREE TO PULL THE PIN. 827 00:39:16,922 --> 00:39:19,024 YOU BASTARD. 828 00:39:19,525 --> 00:39:21,159 PAY UP. 829 00:39:21,192 --> 00:39:22,160 HE'S NOT PATRICK GAFFNEY. 830 00:39:22,193 --> 00:39:25,497 HE'S AN IMPOSTER. DON'T GIVE IT TO HIM. 831 00:39:25,531 --> 00:39:27,098 GIVE ME MY HALF. 832 00:39:27,132 --> 00:39:28,199 NO, SIR. 833 00:39:28,233 --> 00:39:31,770 YOU GOT HIS NAME, AND YOU GOT SOME OF HIS LIFE STORY. 834 00:39:31,803 --> 00:39:32,738 HOW IS THAT? 835 00:39:32,771 --> 00:39:35,273 YOU HAD TO KNOW HIM, KNOW SOMEONE WHO KNEW HIM, 836 00:39:35,306 --> 00:39:37,743 HAD TO KNOW HIM WELL. 837 00:39:37,776 --> 00:39:42,247 YOU KNOW WHERE HE IS? IS HE ALIVE? 838 00:39:42,981 --> 00:39:44,282 NO. 839 00:39:45,216 --> 00:39:45,984 WHEN? 840 00:39:46,017 --> 00:39:48,787 6 JULY, 1969. NOW GIVE ME MY MONEY. 841 00:39:48,820 --> 00:39:50,121 THE HELL I WILL. 842 00:39:50,155 --> 00:39:55,761 YOU PROVE TO ME HE'S DEAD, YOU'LL GET YOUR MONEY. 843 00:40:00,131 --> 00:40:02,400 Molly: AN UNMARKED GRAVE. 844 00:40:02,434 --> 00:40:05,136 COULD BE ANYONE. 845 00:40:25,023 --> 00:40:27,258 YOU BURIED HIM. 846 00:40:27,292 --> 00:40:28,159 DID YOU KILL HIM? 847 00:40:28,193 --> 00:40:29,995 WE WERE AT THE HANOI HILTON TOGETHER. 848 00:40:30,028 --> 00:40:33,932 PAT DIED A MONTH OR TWO AFTER THEY MADE HIM MAKE THAT TAPE. 849 00:40:33,965 --> 00:40:37,503 THEY BURIED HIM HERE. 850 00:40:37,536 --> 00:40:39,137 YOU TOOK HIS IDENTITY. 851 00:40:39,170 --> 00:40:41,940 COULDN'T YOU HAVE WRITTEN HIS MOTHER A LETTER 852 00:40:41,973 --> 00:40:43,842 LETTING HER KNOW HER SON HAD DIED, 853 00:40:43,875 --> 00:40:45,677 HOW HE DIED, WHAT YOU KNEW ABOUT HIM? 854 00:40:45,711 --> 00:40:51,449 THIS PLACE IS WHERE THEY BURIED A LOT OF US DIED IN CAPTIVITY. 855 00:40:51,483 --> 00:40:52,450 YOU DIDN'T DIE. 856 00:40:52,484 --> 00:40:54,252 YOU COULD MAKE IT RIGHT. 857 00:40:54,285 --> 00:40:56,555 WHAT'S IN IT FOR ME? 858 00:41:08,834 --> 00:41:11,603 YOU KNOW WHAT YOU ARE, LADY? 859 00:41:11,637 --> 00:41:13,138 YOU'RE DELUDED. 860 00:41:13,171 --> 00:41:16,041 TO GIVE PEOPLE PEACE. 861 00:41:16,074 --> 00:41:18,710 THERE IS NO PEACE. 862 00:41:18,744 --> 00:41:24,049 YOU PLAN TO DESERT EVERYTHING AND EVERYONE YOU KNOW, 863 00:41:24,082 --> 00:41:27,485 YOUR COUNTRY, YOUR ARMY, YOUR FAMILY. 864 00:41:27,519 --> 00:41:31,757 YOU GONNA BE ONE, BE A BIG, RED ONE. 865 00:41:33,525 --> 00:41:35,460 TELL ME YOUR NAME. 866 00:41:35,493 --> 00:41:39,531 TELL ME YOUR NAME. I'LL CALL YOUR FAMILY. 867 00:41:40,732 --> 00:41:43,334 AND WHO WOULD THAT BE? 868 00:42:23,208 --> 00:42:25,076 I WENT TO SEE JEREMY. 869 00:42:25,110 --> 00:42:28,246 I GOT AS FAR AS HIS DOOR. 870 00:42:29,314 --> 00:42:30,749 I CAN'T LOOK AT HIM, OK? 871 00:42:30,782 --> 00:42:36,187 I CAN'T BRING MYSELF TO LOOK AT WHAT USED TO BE HIS FACE, 872 00:42:36,221 --> 00:42:41,092 WHAT USED TO BE HIS BODY BEFORE IT GOT BURNED UP. 873 00:42:45,897 --> 00:42:47,899 MY ADVICE... 874 00:42:47,933 --> 00:42:48,767 TELL HIM. 875 00:42:48,800 --> 00:42:51,970 TELL HIM, "I'M SORRY, I'M NOT UP TO IT, 876 00:42:52,003 --> 00:42:53,772 "AND I FEEL LIKE HELL ABOUT IT, 877 00:42:53,805 --> 00:42:58,710 BUT IF I'M NOT UP TO IT, YOU DON'T NEED ME." 878 00:42:58,744 --> 00:43:00,078 YOU'RE TELLING ME TO TELL JEREMY 879 00:43:00,111 --> 00:43:04,049 WHEN YOU CAN'T MAN UP ENOUGH TO GIVE ME ANY COMFORT, 880 00:43:04,082 --> 00:43:05,383 TO TELL YOUR WIFE ABOUT US? 881 00:43:05,416 --> 00:43:09,120 CRYSTAL, ONE TIME DOESN'T MAKE AN "US." 882 00:43:09,154 --> 00:43:10,188 ARMY SCREWED JEREMY. 883 00:43:10,221 --> 00:43:13,158 BLACKTHORNE PUT ALL THOSE DOLLAR SIGNS IN OUR EYES, 884 00:43:13,191 --> 00:43:14,592 AND WHERE'S EVERYBODY NOW, 885 00:43:14,626 --> 00:43:15,994 FOR HIM OR FOR ME? 886 00:43:16,027 --> 00:43:17,963 YOU SCREWED ME WORSE THAN ANYBODY, 887 00:43:17,996 --> 00:43:19,264 'CAUSE I NEED SOMEONE RIGHT NOW, 888 00:43:19,297 --> 00:43:23,769 AND YOU'RE GETTIN' ALL RIGHTEOUS, WHICH WE BOTH KNOW IS A CROCK. 889 00:43:23,802 --> 00:43:26,604 YOU'RE THE SAME AS ME. 890 00:43:26,638 --> 00:43:28,273 YOU OWE ME NOW. 891 00:43:28,306 --> 00:43:30,809 YOU OWE ME WHAT I NEED. 892 00:43:30,842 --> 00:43:32,110 YEAH. NO, THAT DON'T CUT IT. 893 00:43:32,143 --> 00:43:38,216 YOU WEREN'T THINKING OF YOUR FAMILY WHEN YOU SLEPT WITH ME, MACK. 894 00:43:45,123 --> 00:43:46,992 I NEED YOU TO LEAVE. 895 00:43:47,025 --> 00:43:47,726 JUST THIS TIME, 896 00:43:47,759 --> 00:43:50,495 ONE TIME. I PROMISE NEVER AGAIN. 897 00:43:50,528 --> 00:43:53,098 I'M BEGGING YOU. ONE NIGHT. 898 00:43:53,131 --> 00:43:54,632 I'LL TELL TIFFY AND THE REST OF THE WIVES. 899 00:43:54,666 --> 00:43:57,869 YEAH, YOU DO THAT, YOU'LL LOSE THE ONLY SUPPORT SYSTEM THAT YOU HAVE. 900 00:43:57,903 --> 00:43:59,004 VENGEANCE AIN'T A MARKETABLE COMMODITY. 901 00:43:59,037 --> 00:44:02,273 IT'S NOT? WELL, ISN'T THAT WHAT YOU SELL FOR A LIVING? 902 00:44:02,307 --> 00:44:04,075 GET OUT. 903 00:44:06,011 --> 00:44:09,047 NOT GOING UNTIL YOU KISS ME. 904 00:44:12,818 --> 00:44:14,853 YES, YOU ARE. 905 00:44:15,220 --> 00:44:18,556 MACK, PLEASE.